The Story of the Holy Child of Atocha

The Mathis collections at Villa Finale contain so much religious art that one would naturally think Walter Mathis, its collector, was a very religious man.  In fact, his collecting of such items was for the mere admiration of the items as art, and they can be found throughout the house.  Of course, he displayed all of them together in different parts of the house according to their provenance like with the Spanish colonial “retablos” found in the upstairs hallway.

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Retablos in Villa Finale’s upstairs hallway.

A “retablo,” called a  “lamina” in Mexico, is an oil paiting of a Catholic saint painted on wood or tin, and sometimes on bronze.  These retablos, which means “behind the altar,” mostly adorned altars in people’s homes.  As a kid, I remember my grandmother in Tijuana, Mexico having many of these images at home.  There were some that were quite frightening – like one of the devil coming to pick up a man on his deathbed … but I guess they were meant to scare kids straight – and one that always caught my attention, as it did my other cousins, of the Holy Child of Atocha or El Santo Niño de Atocha.  One of my cousins asked my grandmother one day what made this child a saint.  My grandmother, in what was her usual comedic way, answered simply, “Beats me, but he’s a very saintly child!”

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Walter Mathis’ Holy Child of Atocha

When I came to work at Villa Finale in 2008, the image of the Holy Child of Atocha in my grandmother’s house popped in my head when I saw that Mr. Mathis had an Atocha child retablo in his upstairs hallway collection.  Of course, I was very excited because this saint has always been one of my favorites!  Funny thing was, just like my grandmother, I didn’t know what made this child a saint until I began researching the collections for my interpretive duties at Villa Finale.  Well, now I can tell you what makes the Holy Child of Atocha a saint!

It all begins back in 711 AD with the invasion by the northern African Moors of the Iberian Peninsula, which included most of modern Spain.  In the 13th century, after the Moors took over the town of Atocha, a central suburb in today’s Madrid, they encarcerated Catholic males and prevented their families from giving them food and water. The only exception to that rule was children under 12 who were allowed to visit and feed family members.  This left jailed men without young children – or children altogether – in quite a quandary.  Their relatives began to pray for help from Our Lady of Atocha, the local name of the holy Virgin Mary and Christ Child located in the town’s chapel.

One day, the local children who were out feeding their captive relatives returned with reports of an unidentified boy who the Moors were allowing to feed all the men who had not been previously attended to.  This boy, reported the children, appeared to be under 12 years old, was dressed in pilgrim attire (with a plumed hat and cloak) and carried a basket of food and gourd full of water.  The miraculous thing was no matter how many prisoners the child fed, his gourd and his basket remained full.  As sightings of the child continued, the people of Atocha ran to the chapel to give thanks.  There, they discovered that the little sandals worn by the Christ Child figure in the arms of Our Lady of Atocha were worn and dusty.  They replaced the sandals only to find them worn and dusty again as the child feeding the prisoners continued his rounds day after day.

The Muslim rule by the Moors finally ended in 1492, but by then the miracles of the Holy Child of Atocha were well known and revered throughout Iberia.  Eventually, the reverence of the Holy Child of Atocha made its way to the New World with the arrival of the Spanish.  By 1554 there was a statue of the Child brought from Atocha to Zacatecas, Mexico where the villagers immediately began reporting sightings of the boy.  And thus the Santo Niño’s adventures in the Americas began.

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Traditional portrayal

In religious art, the Holy Child is typically depicted wearing a large-brimmed plumed pilgrim’s hat, cloak, and sandals.  Sometimes he is barefoot to denote the wearing out of his sandals from walking.  He carries a basket in one hand and staff in the other.  The gourd for water is fastened to the end of the staff.  Other symbolism associated with the image are stalks of wheat, flowers and scallop shell meant to represent holy pilgrimages.  Today, there are two main shrines in the Americas to the Holy Child of Atocha: one in Fresnillo, Zacatecas, Mexico and the other is in the Sanctuario in Chimayo, New Mexico.  The Holy Child is the patron saint of the unjustly imprisoned, the protector of travelers and rescuer of those in danger.

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Holy Child of Atocha in Zacatecas, Mexico.  (From screen capture, YouTube user Viajero981)

 

Next time you come to Villa Finale, take a good look at all the religious art in the collection.  What kind of symbolism do you see?  What part of a story do you think it tells?  And make sure you look for El Santo Niño de Atocha in the upstairs hallway now that you know what makes him a “very saintly child.”  My grandmother would be proud!

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San Antonio and the Rise of Chili

As you may or may not have heard, San Antonio and Austin have been involved in what has been called the Texas Taco War.  The “first shot” was fired when the Austin Eater’s website published a story that gave Austin credit as the “home of the breakfast taco.”  For San Antonians, it may as well have been the shot fired at Fort Sumnter because there are several things sacred to the people of this city, among them are its baskeball team, its river and its food.  Mayors from both cities met for a “Taco Summit” in which they both brought 50 tacos from their favorite taco joints.  Personally, I would declare San Antonio the winner of this battle in the Texas Taco War.  The Alamo City’s Mayor Taylor presented tacos made with hand-made tortillas as opposed to the tacos made with store-bought tortillas brought by Austin’s Mayor Adler.

As the Texas Taco War continues – there will be a “taco throwdown” where a chef representing each city will bring their best taco-making skills to the table – it made me think of not only the importance of food to a place and its people, but also of cultural appropriation.  In the past, the people of San Antonio have “accused” Austinites of taking credit for Tex-Mex food made popular here.  Now, this “taking credit” for food isn’t a new phenomenon.  One instance happened several generations ago and it involved chili.

No one can say for sure who “invented” chili, it is most likely a delicious fusion of cultures that came together.  The indigenous people of Mexico and South America, like the Incas and Aztecs, were known to cook dishes mixing meat, herbs and peppers long before the arrival of the Spanish.  For their part, the Spanish had been creating spicy meat dishes with pungent smells in their country long before arriving in Texas.  When the Canary Islanders settled in San Antonio, they devised a way to continue making the dishes they so enjoyed using local spices, onions, garlic, peppers and meats.  And so a cooking tradition came to be!

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Chili market, San Antonio, ca. 1890s.

Long before Texas joined the Union, groups of women called “Chili Queens” could be found throughout San Antonio’s plazas serving up their own spicy creations and hand-made tortillas to locals and visitors alike.  From dusk until dawn, these women worked hard to serve the hungry masses; and when darkness came, their patrons were more than happy to eat by the faint light of oil lamps.  Many visitors to San Antonio were “charmed” by the young ladies and their savory fare.  Author O. Henry wrote in his story “The Enchanted Kiss” about the city’s Chili Queens.  He wrote, “Drawn by the coquettish senoritas, the music of the weird Spanish minstrels, and the strange piquant Mexican dishes served at a hundred competing tables, crowds thronged the Alamo Plaza all night.”

 

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William G. Tobin

Enter William Gerard Tobin, a great-grandfather many times over of Walter Mathis, the last private owner of Villa Finale.  A native of South Carolina, Tobin arrived in San Antonio at age 20 in 1853 and two months later met, fell in love and married Josephine Augusta Smith, daughter of the city’s first American-born mayor John W. Smith and the lastmessenger to leave the Alamo.   In 1855, Tobin was city marshal before joining the Texas Rangers in 1859.  When the Civil War broke out, he enlisted in the Confederate Army where he was made a captain.  Although Tobin had a long career in law-enforcement and the military, his true calling was in the business world.  In the 1870s, he leased the Vance Building – which had been headquarters of the Confederacy during the war – near the corner of Travis and St. Mary’s Streets.  He turned the building into a hotel he named Vance House (today it is the site of the Gunter Hotel).  However, Tobin’s business ventures didn’t end there.

By this time, Tobin had spent nearly 30 years in San Antonio assimilating and taking in the local culture, including the food.  His wife’s family, who no doubt had some influence in his newly acquired tastes, could trace its roots to the Spanish Canary Islanders that arrived in San Antonio in 1731.  It is no surprise that Tobin took a great liking to Tex-Mex food and was an early supporter of its consumption.  In the 1880s he had a bright idea: to can San Antonio’s famous chili con carne for sale.  In 1881, he negotiated a contract with the United States government to sell his canned chili to the army and navy.  In 1884, he began to organize an aggressive venture with the Range Canning Company located in Fort McKavett, Texas for the manufacture and canning of chili con carne and other “Mexican” delicacies.  Now, this is where the “Americanization” of chili began for understandable business reasons.

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Reproduction of Tobin’s Chili-con-Carne labels in Villa Finale’s kitchen.

“Carne” is meat in Spanish.  While beef or pork were the meats of choice for the Chili Queens, Tobin opted to use goat and more than likely, made changes to the recipe and ingredients to better suit the American palate.  While the people of San Antonio welcomed and were used to the many colorful herbs, aromas and higher levels of spiciness, as far as the business, the food had to be attractive to consumers from all over the nation.  On July 28, 1884, just days after Tobin’s dream got off the ground and the manufacturing process began, he died at home never seeing his venture fulfilled.  The development of the project also died with Tobin.

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Lyman Davis

It wasn’t until 1893 that the rest of the world was introduced to chili con carne at the San Antonio Chili Stand during the Columbian Exposition in Chicago.  But it wasn’t until 1921 that an attempt to can chili con carne, by then simply known as “chili”, was reattempted by Lyman Davis of Corsicana, Texas who developed his recipe in the 1890s and sold it to oil workers for .5 cents per bowl from the back of a horse-drawn wagon.  Davis’ early canning machinery was simple, but by 1923 his improved operation was producing 2,000 cans per day.  Davis’ chili became known as Wolf Brand Chili, named after his pet wolf, Kaiser Bill … and the rest is chili history!

So while San Antonio and Austin duke it out during the Texas Taco War of 2016, let’s remember the Chili Queens and people like William Gerard Tobin whose interest in filling our tummies with tasty Tex-Mex dishes eventually helped make chili the official Texas State Dish.  “Viva chili con carne!”

Here is a recipe for “Original San Antonio Chili” (from a Chili Queen) taken from the Institute of Texan Cultures research library, with updated changes by the International Chili Society for shopping convenience:

2 pounds beef shoulder, cut into ½-inch cubes
1 pound pork shoulder, cut into ½-inch cubes
¼ cup suet
¼ cup pork fat
3 medium-sized onions, chopped
6 garlic cloves, minced
1 quart water
4 ancho chiles
1 serrano chile
6 dried red chiles
1 tablespoon comino seeds, freshly ground
2 tablespoons Mexican oregano
Salt to taste

Place lightly floured beef and pork cubes in with suet and pork fat in heavy chili pot and cook quickly, stirring often. Add onions and garlic and cook until they are tender and limp. Add water to mixture and simmer slowly while preparing chiles. Remove stems and seeds from chiles and chop very finely. Grind chiles in molcajete and add oregano with salt to mixture. Simmer another 2 hours. Remove suet casing and skim off some fat. Never cook frijoles with chiles and meat. Serve as separate dish.

 

Getting to Know Walter Nold Mathis

Mrs. Maggie Block with Walter Mathis

Mrs. Maggie Block with Walter Mathis

It’s been a very busy month for the entire Villa Finale staff. While working on a variety of different projects, I continue conducting oral histories for our Restoring Voicesprogram.  Many people are familiar with Walter Mathis’s collecting, preservation, and civic work, but only a handful can say they knew him on a personal level. 

I recently had the pleasure of sitting down to interview two of Mr. Mathis’s good friends: Edward Schroeder and Mrs. Maggie Block.  It was fun listening to them remember things like a ten-course Chinese dinner at Villa Finale, going shopping with Mr. Mathis, and stories about Mr. Mathis’s sense of humor.  Mr. Schroeder and Mrs. Block stressed how much fun and full of life Mr. Mathis was as well as being incredibly talented, not only in business but in many other areas.

For example, Mr. Mathis once restored a Lincoln convertible, had his own special recipe for chutney, and made his own crafts for Christmas — and had a way of recruiting others to help him!  The term “Renaissance man” is fitting of a man like Walter Mathis.  We would like to thank Mr. Schroeder and Mrs. Block for volunteering their valuable time (and voices) to this enjoyable project.  We hope to be able to share interview snippets with you in the near future.

Mr. Mathis’s Crowninshield Award Video!

In 2003, Walter Mathis was awarded the Louise duPont Crowninshield Award by the National Trust for Historic Preservation, our organization’s highest honor.  At the awards presentation in Denver that year, we showed a video giving a great overview of all of Mr. Mathis’s preservation work.  I was finally able to get a copy, thanks to Cortina Productions, who produced the video.  Watch the video here:

Christmas with Mr. Mathis

Last year, while cleaning  objects in Villa Finale, I occasionally ran into a problem that occurred mainly with the vases and vase-like vessels: there were remnants of Christmas greenery in the very bottom-most tips of these objects, evidence of USE.  This was pretty exciting, because a lot of collectors don’t actually use their things.  Mr. Mathis did.  Even though it was very difficult to remove the stuff, despite the creation of several different forms of poking devices, I enjoyed knowing he had live greenery and flowers around at the holiday time. bullet-wreath

Now that the holidays are here, I can only imagine the grand display Mr. Mathis must’ve had.   I never saw it first hand, but I know that he purchased dozens of red poinsettia plants that he would pile in the kitchen to give away to his party guests and other friends and family.  Also, hanging in the kitchen was this wreath made of hunting gear, including bullets and the prey, happy together!

Naturally, in proper Mr. Mathis form, sideboards and and other surfaces would have decorations in bowls and urns along with live greens and flowers set atop ribbon-festooned tables.   One of the most amazing Christmas related things I meissen-musiccatalogued was a group of Meissen figurines Mr. Mathis had artfully arranged in faux greenery.  The little guys were all attached to the greens so all you have to do is take it out of its box and put it on a table.  To the left is one of the fat little musicians.  For his holiday parties, there was always plenty of food set up in the kitchen and on the dining room sideboards. 

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 The piece de resistance was his tree, which was his own creation.  It was comprised of a metal frame in which Mr. Mathis would stick Noble Fir branches to create a very long lean tree suitable for his center hall.  Here is a picture of it circa 1975.

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Later, when the large tree became too much trouble, he would place tabletop trees throughout the house.

happy-santaOn display on his dining table was his International Santa  collection, which, along with 276 ornaments, we have already numbered and packed away carefully for the future when we attempt to replicate Mr. Mathis’s Christmas extravaganza.  To the right is one of Mr. Mathis’s Santas, of no particular nationality, but looking very pleased with himself.  In order to accurately recreate the Mathis holiday house, we will rely on photographs from parties, oral histories and some written documentation.

Luckily, the exterior was more austere and we’ve heard he had only a simple green fir wreath on the door, with ribbons, and would also plant poinsettia in his formal garden for a splash of color.

Now, does anyone out there have any other stories or pictures of a Mathis Christmas?  We have a sprinkling here and there, but would like to get our Christmas just right when we eventually go completely crazy all out and decorate.  Please let me know.